The Verdict: SavagesOliver Stone's latest fails to deliver on the promise of its all-star cast and intriguing premise

I WALKED INTO Savages with pretty tempered expectations. The movie opened nearly two weeks ago, and I’ll admit that the middling reviews it’s been receiving almost prevented me from seeing it. It’s not that the story of a weird California love/pot triangle seemed uninteresting or lacking in shock value. It was more the idea that a movie with such a ridiculous storyline could somehow manage to miss the entertainment value mark.

Savages has all of the elements of a truly entertaining film. Its lead actors, Taylor Kitsch and Aaron Johnson, are two up and coming young actors with some solid acting chops. There are explosions, scenes of graphic torture, Salma Hayek in low-cut dresses, and some pretty decent dialogue for a movie where the protagonists spend a somewhat absurd amount of the film cracking lame marijuana puns. Benecio del Toro and John Travolta give great performances as a cartel enforcer and crooked DEA agent, respectively, and Blake Lively even manages to shed a bit of that Gossip Girl image of hers. Any other director would be able to take material like that and sculpt it into something worth paying money to go see. The problem is that Oliver Stone is not just any other director.

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The Verdict: Channel OrangeOur track-by-track review of Frank Ocean's instant classic

SO HAVE YOU HEARD that Frank Ocean is bisexual? Of course you have. A couple of weeks ago, everyone from your Great Aunt Gertrude to Beyonce was talking about the crooner’s unexpected revelation. How will the more conservative figures in the hip hop community respond to this? Did he just come out of the closet as a marketing tactic? Is he dating Anderson Cooper? Those, to name a few, were just a few of the thousands of questions being argued into the ground both online and off.

Just a few days later, though, all the debates and deliberations came to a screeching halt. Last Monday, Ocean changed the conversation by dropping yet another stunner: his jaw-dropping debut album, Channel Orange. It’s a career-making record, one that will elevate the New Orleans native from an underground favorite to a fully-fledged superstar.

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The Verdict: Tim & Eric’s Billion Dollar MovieThe bizarre comedians' big screen debut is a manic, haphazard joyride

WHAT DO A PIZZA-EATING WOLF, a bathtub filled with human feces, old ladies getting their fingers cut off, near-pedophilic interest in young boys, and John C. Reilly all have in common?

If you can’t think of anything, don’t worry. Until a few days ago, the answer was nothing.

Now, however, every item on this list can be found featured prominently in Tim Heidecker and Eric Wareheim’s new full-length film, Tim and Eric’s Billion Dollar Movie. The movie, which debuted last Friday, promised all of the incredibly quirky, stutteringly glitchy, and insanely inappropriate humor that has turned the duo into cult heroes, and it delivered in spades.

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